Series: The Passage #3
Published by Ballantine Books on May 24th 2016
Genres: Fiction, Horror, Science Fiction, Suspense, Thrillers
I received this book for free from the publisher in exchange honest review consideration. This does not affect my opinion of the book or the content of my review.
"The world we knew is gone. What world will rise in its place?"
The Twelve have been destroyed and the hundred-year reign of darkness that descended upon the world has ended. The survivors are stepping outside their walls, determined to build society anew and daring to dream of a hopeful future.
But far from them, in a dead metropolis, he waits: Zero. The First. Father of the Twelve. The anguish that shattered his human life haunts him, and the hatred spawned by his transformation burns bright. His fury will be quenched only when he destroys Amy – humanity's only hope, the Girl from Nowhere who grew up to rise against him.
One last time light and dark will clash, and at last Amy and her friends will know their fate.
Praise the lord and pass the ammunition, this trilogy is over. Honestly, the only reason I’m actually writing a review for The City of Mirrors is because I have this need to make things complete. I’ve reviewed the other two so you, lucky Reader, are going to get to hear me bitch about this one. Because that sounds so inspiring, let’s get to it!
There are large (novel-sized) chunks of this monster that are just downright dull. The City of Mirrors, much like the previous two novels, jump around in space and time. The reader is forced to slog through hundreds of pages of sappy writing about a poor Harvard undergrad who falls in love with his roommates girlfriend to get the genesis of Zero. Familiar characters like ‘Lish and Peter have long epic sojourns where not much of anything happened and I wanted to weep with boredom at times.
My biggest problem with this novel however, was the heavy handed Biblical allegory. Don’t get me wrong I love good Biblical allegory. Good being the key word. Cronin hits readers over the head with a slab of Adam’s ribs with the allegory that he tries to create in The City of Mirrors and for me it was completely ineffective and distracting. You have Michael working to fix his ship, like a post-apocalyptic Noah. Of course there’s Amy, who is the Christ figure. There’s Peter (PETER!) the disciple. Which brings me to the name of the characters: Caleb, Sara (very motherly in the Bible, very motherly here)… it doesn’t hold true for all the characters, but throughout the trilogy it held true for enough.
There are sections with lots of action and violence, but the literary mixed with the fun that was so appealing in The Passage has completely evaporated in The City of Mirrors. The end of the book is probably the most satisfying part of it, I don’t mean that in a snarky way the last hundred pages or so take a total right turn to the rest of the novel, and while there are certain believability and ‘what’s the point, then?!’ problems with the end, I’ll leave it there for the sake of not spoiling. If you want to discuss it in the comments – let’s do it.
For a not quite as harsh, but naturally better written, and of course spoiler-y review, I liked the one at The Washington Post. The Discriminating Fangirl also breaks down some of her problems with the novel here.
Soooo Reader. Insert big sigh here. How did everyone else feel about this? Has anyone else taken the plunge and read it? Anyone more forgiving than me?